PEACH TREE

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PEACH TREE [1]

"Looka there Honey

Ooo Wee

Looka there Darlin'

Mercy me

Looka there Honey

Ooo Wee

Way over there 

by the Peach Tree"

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It should be less than obvious what we are doing here; doubling half and halving the whole.

Except if not thinking cohesively-not so obvious, since we began with bits we might have gotten lost again

looking for the familiar. We were talking about Hz

Each bit being a state of on or off; each note being an equal duration of sound and silence.

Love me knots.

Bits and beats.

It is not important that things be obvious more than useful.

| 11111111 | 11111111 | 11111111 | 11111111 |

4/4 Time =FF

 We need 32 bits and 8 bars for an address.

We need 24 bits and 6 bars for music.

| 1111 | 1111 |   | 1111 | 1111 | . | 1111 | 1111 |  | 1111 | 1111 |

FF                    FF                    FF                   FF

This chapter should be called

MODULAR ACOUSTICS

But that should be less than obvious.

7 cervical

DIATONIC

MAJOR

C D E F G A B

12 dorsal

CHROMATIC

C C# D D# E F F# G G# A A# B

5 lumbar

HALF NOTE

C#/Db    D#/Eb    F#    G#/Ab  A#/Bb

[1] The name of one of the author's favorite tunes recorded by Aleck Rice Miller, a.k.a Sonnyboy Williamson II. Played on harmonica in the key of F .