Sunday, January 22, 2012

STOPPING THE WORLD


 

STOPPING
THE
WORLD

-------------------------

This at first glance has all the appearance of redundant gibberish, which at least it is redundant we admit. Even the rational apprehension of a seasoned administrator might admit a lack of relevance, the assembly programmer a close second, until perhaps recognizing things though comprehensively distant, cohesively consistent. Just as we said earlier of our contraption, the Tardis Time Machine, is not an object more than an objective. What matters is that we perceive an objective organization of things that we might find useful as long as we've invested time in exploiting their apparent use, which until that time falls just out of range of notice. The kemetaphysical lecturers don't mind convention for just that reason- it's convenient. To have a consensus is reliable exposition by default; it is essentially the business of metaphysics, that keep metaphysics in business. Nor to suggest our most renown be hucksters and confidence men, yet that is the beauty of the truth of evolution, which is not dependent on our whims - "the rich and the poor, the great and the small." Anyone can do enough as anyone else to be conscious or enlightened as long as there is always consensus. We all walk in with our convictions and walk out with consensus, being our agreement not with what the speaker says, but that someone told us we were right. It is at once the oldest magick, the fundament of occult revivals, clinical psychology,  advertising, mass media, mass hypnosis, politics and religion, being the very danger in organizing things to begin with- that (a) they eventually become disorganized (b) disorganization becomes so reliable that we find it as useful as organization.

It is this perhaps which is the very lever of sorcery, the key joint on which hinges the inherent weakness that creates consensus and agreement with whatever makes the consensus right, a sorcerer must have resolved to ruthlessly exploit, exploitation without which there would be nothing to observe or perceive, since nothing made to perceive but the description agreed upon. To change this is to change consensus, and thus agreement; to lead or lead astray to paradise or oblivion. And yet everyone is a sorcerer, and no one is a warrior; everyone is tonal and no one nagual- everyone omo  and no one onile. Our renown kemetaphysicians teach much and teach more. We attend, we listen, we find consensus and agree that we were right because the teacher (or the pastor, or our parents, or the bell, the book or the candle,  or worst of all, "God") told us so. We reach a consensus (first error)- that we've been told something as profound as we believe or may already have known. It is like warehouse inventory where stacks and stacks of books and receipts are being burned to make room-for more of the same. [1]

We call them masters and master teachers. And there is never any demand from us to actually learn anything or that they do anything more than tell us that we've been right all along. Consensus is convenient quite simply, because it sells.

It is not the point that any of this is free. If ever intended so at all then would rather have been paid to write it, than anyone read it. Those who write always write more than anyone reads. When we hear terms like ego, gods, goddesses, frequency, vibration, etc. talk about ritual magick, spells and Merkabah's; hinging on the language of certain words, phrases, numbers and ideas, we know we're on the right track, that everyone agrees that there is something here worth knowing- something useful, except that no one ever samples just how it all works. The teacher always illustrates-never demonstrates. They never will if not called upon to do what the sorcerer, the man of knowledge, the warrior must commit to do, to ruthlessly check their convictions against consensus with the intent of perceiving the World as organized description; not how it is organized, but how it is described.

We may organize any perception to suit our description. the description may contain an effect say, of snowflakes, earthquakes, funnel clouds or falcons. [aiii]
The placement (or displacement) of time somewhere along the line of least consensus.

Why we are not getting anywhere with all this conscious stuff, because we are only describing a consensus of the World, a convention we agree on. Nor do our "kametaphysical" teachers, ever demonstrate that the description of the World itself, is a description of organized  perception.

Another mind will say there is no mathematical sense in any of the above- the assembly programmer a close second.

The piper though may just catch the glimpse of Time
And play
a familiar tune.

We step out, walk around the Tardis.
One, two, three times.
And step back inside.
Even when viewed from across the room-not looking for the familiar,
in here with us.
Who is that?
Someone standing in the far corner of our field of view.
A miseducated consensus puts us in the middle of a place
between large and small
And calls it the center
Where in fact we are on the
circumference of the center
nowhere the nearest horizon [1024]

THE
MATRIX
IS EVERYWHERE.
IT IS ALL AROUND US.
EVEN NOW IN THIS VERY ROOM.

  [2]

But we are right back at the beginning, explaining descriptions, rather than handling them. It is all well and good for us to know geometric angles and numeric attributes and tables of correspondences- What did we already say about organization and consensus? To the point that we have become bickering zealots and metaphysical hustlers, but we are all mostly just humble students trying to organize all this shit into some kind of consensus we can use. If we can demonstrate, with little more at our disposal than our perception that indeed "ye are gods"; that our angles, astral planes and akasic records, colors, chakras, and energies, forces, frequencies, powers and principalities are real at all, it will have to be since we've found something more to do with them than just say so - nobody has to tell us we are right since we are able to perceive for ourselves. We already know plenty about what we are looking at.

But what do we see?

Previously we stopped things-now we are going to start them.

We must stop being lazy, and "turn on" our perception so that we can see that the description organized is not static. Time is not speeding up. Another absurd agreement since time is a where not a when. The Khu is in the Khabs, not the other way around. Our perception is already too fast for us to bother catching a glimpse of its organization. We are only describing in asserting the acceleration of time, the expansion and contraction of space. it's apparent "speed" is only in agreement with half our perception that deceleration is an effect of diminution and acceleration an effect of approach, why the pentagram/pentagon is never split along the x axis; for no better reason than to fix our consensus and keep us miseducated, to stifle our evolution and prevent us from turning our perception on-and ever actually using it.

Because we don't see out there- into the place called nowhere where is the circumference of zero. And that the center is everywhere, in every corner of the room. So that for instance, we might say that from the top point of the central triangle either point on the left and right and back to the center is 12hrs. wide x 8hrs. across two sides, 2x2x2 = 8, 1/3 of a day we can use in any increments we like as long as each is 1/3 of 8. 5.2.1, 4.2.2., 7.0.5.0.5., etc. We may draw the contiguous geometry of any triangle or polygon as a revolution, and that all the angles are in perpetual motion so as to describe an appearance of nearness or farness along some point on the circumference of zero.

When we stop the World we can see that things appearing still are moving and things appearing to be in motion are not; along a highway of a million years a car going 100yph, even 1000yph from 500,000 years away seems not to be moving at all. If we had a whole day to catch a glimpse from 5 days away it'd be 12,000 years since we started looking.



Tuesday, January 03, 2012


[1] More importantly inorganic i.e. astral beings who especially hinge upon this weakness and are constantly exploiting our agreements. But that's what makes the astral plane as dangerous as it may be useful.

[2] The inner dimensions of the Tardis define a cube drawn on a curved plane. The upward points of the top and bottom triangles define angles farthest from each other, in other words- opposite corners. The whole figure is as if bent in such a way as to cause the corners to meet end-to-end, the inner dimensions of the cube encompassing larger volume than the outside. Where the first horizontal plane is the nearest horizon, perceived from the nearest corner at the very top, places our perspective between both angles; the person in the farthest corner is in fact ourselves standing directly behind and facing in the opposite direction, looking back at us. We should already be well familiar with the notion of the non-orienting geometry of the moebius strip, torus, klein bottle, etc. and the Alchemical Uroboros as long as we've watched the material covering this subject.

Yet not enough to understand this much, why we must see things for ourselves. The only way to apprehend the sense of say, a cubit, is to perceive its dimensions in an unfamiliar place; we don't usually find what we've misplaced anywhere we think was last before it went missing. We are constantly using time in all kinds of ways we are never aware of. We simply make no effort to perceive any other way that time is never linear, but moving in all directions at once. Neither the mathematician nor the programmer will perceive the cubit, and the piper only play it- but at least the piper has apprehended something, found something useful in it all. Thus a fool will be damned to know; the accountant will litigate and philosophers pontificate- of this thing a cubit, though having seen it, is found no proof in the whole Earth, nor among the 12 vaults of heaven.





[1024] "The address of a byte in a memory bank is just the number of that byte starting from zero. This means that the last, or highest, address in a memory bank containing 1 megabyte is 100000H minus one, or 0FFFFFH. (The initial zero, while not mathematically necessary, is there for the convenience of your assembler. Get in the habit of using an initial zero on any hex number beginning with the hex digits A through F.)"

"The addresses in a megabyte of memory, then, run from 00000H to 0FFFFFH. In binary notation, that is equivalent to the range of 00000000000000000000B to 11111111111111111111B. That's a lot of bits—20, to be exact. If you look back to Figure 3.3 in Chapter 3, you'll see that a megabyte memory bank has 20 address lines. One of those 20 bits is routed to each of those 20 address lines, so that any address expressed as 20 bits will identify one and only one of the 1,048,576 bytes contained in the memory bank."

"That's what a megabyte of memory is: some arrangement of memory chips within the computer, connected by an address bus of 20 lines. A 20-bit address is fed to those 20 address lines to identify 1 byte out of the megabyte."

THE EIGHTH TOWER



THE EIGHTH TOWER*[8]


-------------------------


"You are here," he said. "We are all here; this is feeling, and we move from here to here."
He circled the second, which he had drawn right above number one.
He then moved his twig back and forth between the two points to portray a heavy traffic.
"There are, however, six more points a man is capable of handling," he said.
"Most men know nothing about them."
He placed his twig between points one and two and pecked on the ground with it.
"To move between these two points you call understanding. You've been doing that all your life. If you say
you understand my knowledge, you have done nothing new."
He then joined some of the eight points to the others with lines;
the result was a long trapezoid figure that had eight centers of uneven radiation.
"Each of these six remaining points is a world, just like feeling and understanding are two worlds for you,"
he said. "Why eight points? Why not an infinite number, as in a circle?" I asked.
I drew a circle on the ground. Don Juan smiled.
"As far as I know there are only eight points a man is capable of handling. Perhaps men cannot go beyond that.
And I said handling, not understanding, did you get that?"[**]



  01111111  
[127:7F]
Class A
F : IV
+
10000000
[128:80]
Class B
G : V
=
11111111
[255 :FF]


F
1111


1 MB

1,048,576 bytes
F
1111.
F                             F
1111                    1111.
F                             F
1111                      1111
0FFFFF
Class C
C : I




* This Book II besides the complete nooks of Charles For part of our curriculum - absolutely required reading!
**A Separate Reality: Further Conversations with don Juan
    Chapter 7 Part 1
    "The Preliminaries of "Seeing"

[8] It is by the time we've arrived at this little chapter whether we know that we've still missed the boat or not. There certainly is a glitch in the Matrix, as if that is not what we've been saying all along is not what we thought Deja Vu was. One thing twice or half doubled. How many cats is that? Start counting from 255 to the first 2, 0. The Cheshire cat who leaves a smile in the wake of a spoon that is not there. We have to count 'none' at least once to get 2.

4/4





4
___

4


From where we start.
Though we have 32 bits
We only need 24



255.255.255.0

To play

BLUES
Example
      A       



Example
B



 AND

JAZZ
Example
      A       




Example
B




[4/4]
All works of intent
Are but a series of instructions
Executed in a manner of jumps
The lines of the World we perceive
Drawn on the axis of 0
From one line of time
To the next



[4/4] It is easy enough for us to get carried away by our music, where natural time i.e. rhythm is for the most part an expressing of feeling. On the higher order of things however is it just as well that we do not lose ourselves in the groove of a melody or tune so much that we are not overtly aware of it- the four examples given here placing strong emphasis on the relevance of this signature.

Songs:
BLUES [A] "Cow Cow Blues" played by Paul Gayten [B] "Honky Tonk" Pts 1-2 Bill Doggett

JAZZ [A] "Misterioso" [B] 'Blue Monk" both played by Thelonious Monk

Saturday, January 21, 2012

LOCALHOST


localhost


-------------------------

 
11111111.11111111.11111111.11111111

FFFF

65535

255.255.255.255

subnet mask

Class A
255.0.0.0
11111111.0.0.0

Class B
255.255.0.0
11111111.11111111.0.0

Class C
255.255.255.0
11111111.11111111.11111111.0


PEACH TREE


PEACH TREE [1]

"Looka there Honey
Ooo Wee
Looka there Darlin'
Mercy me
Looka there Honey
Ooo Wee
Way over there 
by the Peach Tree"

-------------------------


It should be less than obvious what we are doing here; doubling half and halving the whole.
Except if not thinking cohesively-not so obvious, since we began with bits we might have gotten lost again
looking for the familiar. We were talking about Hz
Each bit being a state of on or off; each note being an equal duration of sound and silence.
Love me knots.
Bits and beats.
It is not important that things be obvious more than useful.

| 11111111 | 11111111 | 11111111 | 11111111 |

4/4 Time =FF
 We need 32 bits and 8 bars for an address.
We need 24 bits and 6 bars for music.

| 1111 | 1111 |   | 1111 | 1111 | . | 1111 | 1111 |  | 1111 | 1111 |

FF                    FF                    FF                   FF

This chapter should be called
MODULAR ACOUSTICS
But that should be less than obvious.

7 cervical
DIATONIC
MAJOR
C D E F G A B

12 dorsal
CHROMATIC

C C# D D# E F F# G G# A A# B

5 lumbar
HALF NOTE
C#/Db    D#/Eb    F#    G#/Ab  A#/Bb


[1] The name of one of the author's favorite tunes recorded by Aleck Rice Miller, a.k.a Sonnyboy Williamson II. Played on harmonica in the key of F . 

Friday, January 20, 2012

BACK II BASE X





BACK II BASE X


-------------------------

Convert Hz to bits.

This assuming that 1 Hz is the completion of  1 cycle per second (cps) toggled between two states , on and off, 0 and 1.


10

1Hz

A rule that is bent. One we need to remember since 0 and 1 hold the same place in that bit, and in that byte; and the cycle we refer to as Hz is not complete until it is turned on:

00000000
00000001

Or from the on position, off.

00000001
00000000

on...

01111111

or off-

1000000

on...

01111111

or off.

11111110


It makes sense to overemphasize the obvious here that each place is twice 1 and 0/1 i.e. 0 divided by 1 or 0 parted (partitioned) in which case 2 is a quantity appearing to be drawn by half  its value. This again is all the fault of mis-education. Not that we intend to change the way numbers work more than correct the way our perception of number assigns value- why our curriculum requires binary math. To develop an awareness that, as there are many systems of language, there are also many systems of  mathematical logic, i.e. base numerical systems. Binary doesn’t necessarily change the way decimals work, but does offer us another way of using them. Hence the difference between “ten” and “one-0” is not an apparent convention until we choose to actively adapt and incorporate it into our description of the World.
It is not so much as though we are splitting a frequency in two. That is something else entirely yet in the same way it is not, since half a tone is the same note an octave higher or lower. The duration of the tone is not relevant. It is only important to realize that the duration of any tone is paired by an equal duration of silence. As long as 1Hz = 1 cycle per second we may adapt the convention of defining a cycle as having a constant 1:1 ratio of sound and silence. If the sound is 2 cps in duration then it must be assumed that the tone has toggled ON OFF 2x in that amount of time.

1010

2Hz

0000 0010

101010

3Hz

0000 0011 

We may use the shorthand to illustrate the division by integer remainder DBIR*,
by partitioning 0
Solve for at least two states
on and off.

0 = 2

The first division of integer is by 1 = 2
The second 2 = 3
The third 3 = 4, and so on...


In the case of the Middle C:4 note [261.24] what we are hearing is twice C:3 [130.62]
In other words, twice as many cps.

This only tells us that a byte, from


Is 2x 16.3275 Hz per bit.
8/130.62


Each bit in a byte = 32.655 Hz
8/261.24



Base X
is not a stranger to us anymore.
We've found our way back home
One bit at a time.

G. TARDIS


G.

TARDIS




-------------------------

A name of the device operated by Dr. Who, owing popularity of the Science Fiction Time-Travel drama, adapted as a term to explain “that having greater volume than outer mass ” the inside bigger than the outside.

There is nothing profound in having more than several ways of organization and access.
At the very least we may imagine clocks and calendars, frequencies, fractions, days, hours, minutes and seconds might have some practical use– if only we devise a way to perceive how all these things work at once; nor do we pretend that permutation and configuration of our contraption should be capable of anything altogether as easy as subnetting network addresses more than we can gain a hint of where things might go.

If we have time, might be of some practical use.
24 hours, 12 Day hours and 12 Night hours. It is the thirds we are concerned with addressing time, since each third is a byte long. Each bit worth 3 (h):(m):(s):


8
C
D
E
F
G
A
B
C
1
0
192 Class C
F







0
1
1
1
1
1
1
1
127 Class A
G







1
0
0
0
0
0
0
0
128 Class B


Three known networks – that might be of some practical use.
Yet it would seem as though it would take at least 7 bits to get one.
By our count there are four notes missing.
Either we’re not told about them, or no one knows-
that they are of any practical use.

We need only follow our trail of crumbs all the way back home, finding the familiar along the way. We’re not lost- just how far we’ve come to begin with, just as far to return. At least a day would have passed; no more than seven, offset on the right of 0 bits, twice as much on the left of 0. A glitch in the Matrix:

01111111 = 127 = 7F
11111110 = 254 = FE

It seems the difference; network and host. "Mirror, mirror on the wall." Things aggressively expand then aggressively contract. We have a need of much room, then a need for the least room by a narrow switch; from 16.7 million to only 254 hosts per network! At once something very large or very small, very far or very near- as hypothetically practical as a dipole, and as functional as a light-switch installed upside-down. Let there be light anyway. We're only looking to see what's there, that might be of some practical use. We need only take the trouble to work things out and fill in the bits, if that were not enough trouble-which it is-to find the unused networks. More specifically, and more importantly though, want to know where we are- localhost. The loop-back address we are broadcasting from, the subnet mask identifying N (network) and H (host).

Everything has been working out so far; there is no reason for us not to safely assume that the other four frequencies are not, nor do contain, addressable networks. We might as well look to determine whether a bit-based address matching some frequency may be a usable network supporting xN of hosts.

It is easy enough to go at things rather blindly; we can pick any network we want out of a hat- if we have a hat. Whim doesn't host well and though not the way convention works-if there are rabbits in hats, there are networks. We'll take the convention we have as long as whim is the order of the day...[6]

D

1101000
208.x.x.x

E

11100000
224.x.x.x

A

10100000
160.x.x.x

B

10110000
176.x.x.x


[6] No, really- it is not as simple as creating arbitrary networks based only on the assumption that the bits defined present like networks as usable as those defined by C F and G.  We are free to assign what we'd like without any guarantee that a network ID can be substituted for an intervening host address. For one thing, 224 is Class D network ID used for multicasting!  160-176 are intervening host addresses within Class B and 208 is a Class C host address. But on the other hand, that is just what subnetting intends to do- create more networks.

This is not altogether as easy or as orthodox a way of organizing things as we’d like for it to appear, though it is not as though the contraption’s functionality is dependent on any kind of machine settings we assume will get us anywhere; the dimensions of the Tardis span everywhere inside and outside the organization of all those things we imagine might be of some practical use, if they can all be organized in such a way as to make them work as cooperatively and cohesively together as they do on their own. All we have to do is perceive that organization, a matter of cohesive and cooperative logic.

B. KA’ AB’AA


B.
KA’ AB’AA
L
-------------------------

[fig1.]




[fig2.]


[fig1.] The Ka' ab' aa about which the Hajj circumambulate 7x as drawn by a square box having 8 partitions 4 sides, or a cube having 6 sides :168 days, 24 hours [12 day and 12 night hours] 24 bits and 3 octaves | octets, 7 notes, 4 sextets, 6 quarters, 8 thirds, 12 pairs, down to the smallest fitting incremental division of 1.5, 0.75, 0.6, 0.5 and 0.4 [fig2.]. The next smallest, being 80/2 increments of 0.3 exceeds the maximum number of columns available.